Word Vomit, Bird Comet.

Originally written and posted on Facebook  23 November 2014, with subtitle “bad romantic crap with no structure no edit no proper ending and lots of feelins, bcuz i’m a faggit”

Somewhere along the tangent of my lifeline, past the point where I looked at you and you looked at me (a point in time that will never happen again; say “tangent”), I lost my taste for whimsical things. The moon became a flat yellow button on a sparkly cloth of darkness, neither comforting nor enraging. It used to be so full and low, like pregnant fruit, like ripe words whispered into the dark woods where we sat at the outskirts and peered into nothingness while we talked about the future and skirted around the unmentioned “us”. After that point I disavowed the flowers in your hair that only I could see, the halo of the things I saw in you that made me want to grip your hand and fly you to Vega by any means necessary. Stars and clouds and the smell of you floating all around me, the interstellar dust of your thoughts and breaths flooding mysteries into my lungs—all that has been reduced to ordinary, standard-issue city dirt. I refuse to romanticize things that has anything to do with you, now. The point in which our lives touched has long since gone by; I am running in circles around my small world, and you are the freight train of silence travelling in a ramrod-straight line that sped past my face and caressed my cheek so lightly, ever so lightly, and will never do it again. One could argue that as a continually-moving tangent (say, a train) then the line will forever have a point of contact with the circle, for as long as it runs and never ends. But the problem is, you are not endless. You will keep running, and someday, our point of contactthe amount of skin that I can feel, the very presence of youwill run out. That is an immutable truth. So, the moment I abandoned my fervent relationship with moonlight and oceans and stardust and forests, I grew up and braced myself for the day you would leave. I pulled out all my good teeth and replaced them with iron nails, I traded in my spine for a backboard of tin sheeting. I refuse to be moved by you anymore. My world will continue to turn without you and your romance. Whimsy is no longer a thing I need, and is indeed something I could do without, if I want to survive losing you. If I keep turning random flowers into poems then I might turn my wounds into stories, and if I do that I’ll forget that wounds get infected and stories aren’t always read by anyone.

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